A simple border of pen sprays with a few touches of gold can be an effective, elegant frame for an illustration whether it is drawn in pen and ink, a grisaille style, or painted in color.
This type of border is often used in illuminated manuscripts to enhance an illustration or set it apart from blocks of text.
I use this type of border most often for my own work, particularly for a painted miniature with just a few words of text.
Here are a few examples from the British Library Catalogue of Illuminated Manuscripts:
Harley 1319 f. 12 – ivy leaves, pen sprays, painting
Lansdowne 1179 f. 4v – ivy leaves, pen sprays, drawing
Yates Thompson 10 ff. 12v-13 – ivy leaves, painting
Drawing the Border
What you need:
- pencil
- eraser
- graph paper about 4 square/inch (refer to the Calligraphy Resources page)
- fine point pigment pen (Pigma Micron, Staedtler Mars Professional, etc.)
- a gold leafing pen, gold gel pen (or something similar), or gold gouache
- final copy paper (e.g. 90 lb Hot Press Watercolor paper)
We’ll be using just a few, simple basic shapes – a leaf and two variations of a hook:
The leaf is a simple oval shape with a little inked-in detail at the edges. The hooks are similar except one terminates in an open circle, and the second one has a filled-in circle.
Step 1:
First we’ll layout the design on graph paper with pencil and then transfer it over to the final copy paper.
Draw a box about 3-5/8″ x 2-1/4″. Draw a second box about 1/8″ inside the second box.
Step 2:
Draw a few stems with leaves attached around the outside border box – you can make these as simple or complex as you like! Note that I’ve combined 3 simple leaf shapes to make a “flower” at the corners.
Step 3:
Add a few “open hook” shapes to fill in the spaces.
Step 4:
Draw a few, smaller “closed hook” pen sprays around the leaves and open hooks.
Step 5:
Transfer your drawing to the final copy paper. It’s usually a good idea to complete the gold areas before inking in the lines, or just inking in all the lines except around the gold leaves – this might depend on what you are using for gold – genuine gold leaf, solvent-based gold paint, gold gouache, gold gel pen, etc.
Test your gold on a scrap of your final project paper first to determine if you should ink the lines around the gold first or ink the lines after the gold is applied. Note that solvent-based gold paint (such as the leafing pen) might leak into the paper fibers, so it might be best to ink the lines after the gold is dry.
Finish inking the border adding the leaf details.
These are a couple of examples using a gold gel pen and a gold leafing pen:
The gel pen is quite easy to use and produces a nice, soft gold effect.
The gold leafing pen produces a very nice, shiny gold effect. It’s a little more difficult to use than the gel pen because of the flat shape of the tip (which also makes it great for lettering), and the solvent wants to soak into the paper fibers but it gives a more “authentic” look of gold.
Now that your border is complete, you can paint or draw an illustration inside!










Thank you for presenting this tutorial. I think its truly beautiful and hope to use it in calligraphy. I really enjoy your web site and learn a lot from what I find here. I especially love this as its just what I wish to learn. The ivy was so important in early works of scribes and it just seems to me to be so peaceful and at the same time richly presented. The step to step presentation is just wonderful and makes it so easy to learn and do.
Thank you again and Happy Holidays.
Virginia
I love how simply you present your tutorials, absolutely beautiful inspiration. I wonder if I may present this tuturial to some of the other’s in my SCA (re-inactment) Shire? Thank you for your time and providing the wonderful work that you do.
Thank you for your kind words – you may present the tutorial with proper credits as stated in the copyright notification on the sidebar. Glad you find it useful!
I cannot wait to try this. Thank you for another excellent step-by-step tutorial!
I’m excited I found you through Jane and will try my hand at this wonderful border. Thanks for sharing.
Very helpful. I think I will try it. Thanks!
Great tutorial, I would love to learn how to do this…might try! Thank you.
I stumbled onto your site today and was so very pleased to have done so. Was just in a class last night learning miniatures. And now here is a lovely border to practice! Thank you so much.
So beautiful! Thank you for the instructions.
Dear Angela – your step by step instructions are wonderful. I would also like to use them in a presentation to about 10 people. I am happy to give you full credit and refer people to your site.
Thanks in advance.
That will be fine – glad you find it useful!
Simple but impact, I like it
thanks for sharing… your tutorials are easy to understand and adoptable… Keep up the good work…
I just found this site! Thank you so much for presenting these tutorials that even I can do. Keep it up.
Hi, I found just what I was looking for in your site (I’m trying to improve my hand drawn flourish and ornament for arabesque style illumination). What a fantastic resource you have provided.
I’m curious, your posts stop in 2009, did you move to another site or have you stopped calligraphy?
Still here – just busy! Working on a new post I hope to get finished over the summer and be ready for the fall.
Your blog is truly helpful. I am new in the calligraphy department and stumbled upon calligraphypen – and bookmarked it since then – thank you for all the valuable information, tutorials and exercises; today I exercised some borders from your negative space tutorial:-)
I just found your website and want to say thank you for demystifying borders and acanthus leaves. I’m looking forward to learning more from you.
Victoria
I’m another SCA scribe who tripped over this site and is learning so much from it. Thank you so much for sharing your experience and information so clearly! I sincerely hope you will start posting again someday, and eagerly look forward to hearing more from you. Best wishes for a wonderful 2013!